After Suharto’s reign, theater in Indonesia experienced a rebirth. Strangled by Suharto-era censorship, Indonesian theater as a mode of expressing topical and contemporary issues almost died. Music, singing, dance, drama and the silat martial art are all incorporated together and are based on the traditional stories and legends. Randai the traditional folk theatre of the Minangkabau people of West Sumatra is performed during ceremonies and festivals. Despite the fact that Bali draws visitors from around the world, and its troupes perform overseas, most Balinese performers are villagers for whom art complements farming. Bali is best known for the diversity of its performance arts. I've done something like this in a home game of dragon's demand with a ing the rod of maximize and extend meta word to do 20 points of acid damage per round over 4 rounds.get 3 of these going, made casting spells hard for the BBG.The best known theater and drama in Indonesia is the Javanese and Balinese shadow puppet theater based on the Ramayana epic, with its brilliant puppeteers (dalang) who may manipulate over a hundred puppets in all-night oral performances accompanied by a gamelan orchestra. My goal with this build is to set one important enemy on fire each round, but let my teammates have some of the glory of taking him down, because, hey, who has 8 rounds to wait for the Napalm Arrow to finish killing the BBEG? (One-round shutdowns make for less enjoyable fights for the rest of the table.) While this is more of a "why the hell did you do THAT?!?" build, I don't think it's as crazy as the "Dazing Wall of Fire around Black Tentacles" build I saw earlier, or the Empowered Selective Fireball build that tacked on Still More Static Damage Modifiers. Plus, y'know, being able to throw down Empowered Fireballs and Lighting Bolts when I get 5th level spells and need to lay the area effect smackdown. This, in theory, combines with 90' Darkvision so I can throw this spell out in some circumstances before anyone else can see me.
Wayang spellhunter source full#
With the Fire option, he's doing about 90 points of damage, and even with resist fire 10 being fairly common, he'll do some damage from that as a signature spell.Īt 9th level, it takes 8 rounds to get the full damage out, with 84 damage from the Acid version and 132 for the Fire option. With the Acid option, he's doing about 63 points of single target damage that goes out to range umpteen-jillion and ignores SR (and won't bother anything with Resist Acid 10). Sadly, the lack of a system architect for PF means that the latest published material is subtly better than older material, and while one or two subtly better options are tolerable in a home game, in a Darwinian evolution environment that is PFS, someone eventually combines all the subtly better things into the Pouncing Eidolon With Four Greatswords, Dragon Style And Stoneskin.Īt 4th level, he's throwing Extended Acid Arrow out for 4 rounds of duration doing 2d4+2 (Acid) or 2d4+4 (Fire).Īt 5th level, he's throwing Empowered Acid Arrow out for 2 rounds of duration doing (2d4+2)*1.5 (Acid) or (2d4+4)*1.5 (Fire)Īt 6th level, he's throwing Extended, Empowered Acid Arrow out for 6 rounds of duration doing (2d4+2)*1.5 (Acid) or (2d4+5)*1.5 (Fire).
Most people who play these hyperefficient builds insist that they're not doing anything wrong, but that other people who are feeling utterly outclassed should just make more betterer characters. I've played enough PFS (a bunch of tables GM'd, 125 scenarios played) that I value fun more than efficiency, because I've seen the way that hyperefficient character builds suck the fun out of the game. Having seen some of the builds proposed doubling up on both traits.blech. No, I know that I can never reduce the spell to less than the initial spell level prior to metamagic.
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